Models

New entry in Digiplay games research bibliography:

With the proliferation of hedonic information systems, understanding users' acceptance of hedonic information systems has become a new topic for practitioners and academics. While perceived playfulness or perceived enjoyment has been found to have a significant influence on the behavioral intention to use hedonic information systems, little research has been conducted to Investigate empirically the antecedents of perceived playfulness and the mediating role that perceived playfulness has in user acceptance of hedonic information systems. Thus, the main purpose of this study is to explore the mediating role of perceived playfulness in the psychological process of user acceptance of hedonic online game systems. Based on previous literature, two individual difference variables (i.e., computer self-efficacy and computer anxiety) and three system characteristics variables (i.e., challenge, feedback, and speed) were proposed as potential antecedents of perceived playfulness in the context of massive multiplayer online games. The results indicate that perceived playfulness plays a partial mediating role in the relationship of system characteristics and individual differences to behavioral intention. Both challenge and computer self-efficacy were found to have a significant influence on behavioral intention via perceived playfulness, with computer self-efficacy also having a direct influence on behavioral intention. Computer anxiety, however, was only found to have a direct influence on behavioral intention. Also, neither feedback nor speed was found to have a significant effect on perceived playfulness. The results of this study provide several important implications for research and practices of hedonic information systems/online game design and promotion.

New entry in Digiplay games research bibliography:

The real-time interactive 3D multimedia applications such as 3D computer games and virtual reality (VR) have become prominent multimedia applications in recent years. In these applications, both visual fidelity and degree of interactivity are usually crucial to the success or failure of employment. Although the visual fidelity can be increased using more polygons for representing an object, it takes a higher rendering cost and adversely affects the rendering efficiency. To balance between the visual quality and the rendering efficiency, a set of level-of-detail (LOD) meshes has to be generated in advance. In this paper, we propose a highly efficient polygonal mesh simplification algorithm that is capable of generating a set of high-quality discrete LOD meshes in linear run time. The new algorithm adopts memoryless vertex quadric computation, and suggests the use of constant size replacement selection min-heap, pipelined simplification, two-stage optimization, and a new hole-filling scheme, which enable it to generate very high-quality LOD meshes using relatively small amount of main memory space in linear runtime.

New entry in Digiplay games research bibliography:

Motion capture-based facial animation has recently gained popularity in many applications, such as movies, video games, and human-computer interface designs. With the use of sophisticated facial motions from a human performer, animated characters are far more lively and convincing. However, editing motion data is difficult, limiting the potential of reusing the motion data for different tasks. To address this problem, statistical techniques have been applied to learn models of the facial motion in order to derive new motions based on the existing data. Most existing research focuses on audio-to-visual mapping and reordering of words, or on photo-realistically matching the synthesized face to the original performer. Little attention has been paid to modifying and controlling facial expression, or to mapping expressive motion onto other 3D characters. This article describes a method for creating expressive facial animation by extracting information from the expression axis of a speech performance. First, a statistical model for factoring the expression and visual speech is learned from video. This model can be used to analyze the facial expression of a new performance or modify the facial expressions of an existing performance. With the addition of this analysis of the facial expression, the facial motion can be more effectively retargeted to another 3D face model. The blendshape retargeting technique is extended to include subsets of morph targets that belong to different facial expression groups. The proportion of each subset included in a final animation is weighted according to the expression information. The resulting animation conveys much more emotion than if only the motion vectors were used for retargeting. Finally, since head motion is very important in adding liveness to facial animation, we introduces an audio-driven synthesis technique for generating new head motion.

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